During her residency at Gropius Bau in Berlin, Otobong Nkanga reflects on the relationship between body and landscape, as well as on what matters the most in her art practice.
Duration : 4m Maturity Level : all
Tomás Saraceno’s studio in Berlin contains a floor devoted to his spiders, who inspire his acoustic art installations and form the basis of his ’Arachnophilia’ project.
Duration : 0s Maturity Level : all
During his practical research in Locarno, Switzerland, Julius von Bismarck reflects on nature and natural settings as the ideal site for artistic and scientific reflection.
Duration : 3m Maturity Level : all
Hulda Rós Gudnadóttir speaks about her art practice and the creation of ‘Keep Frozen: The Documentary’ which chronicles the lives of dockworkers in a Reykjavik harbor.
Functioning as both an archive of past work and a place for new creative explorations, Olaf Breuning’s Upstate New York studio provides a haven for contemplation.
Duration : 2m Maturity Level : all
Katarina Janeckova Walshe transforms personal issues and doubts into art. In her South Texas studio, she reveals her creative process and how it connects to life and motherhood.
Roey Victoria Heifetz shows her studio while discussing her artistic process and a new body of work produced for the exhibition ’Figuratively Speaking’ at Tacheles in Berlin.
In celebration of Peaches’ 20-year stage anniversary, the Kunstverein in Hamburg and the Summer Festival at Kampnagel presented the artist’s first institutional solo exhibition.
Duration : 5m Maturity Level : all
With Douglas Gordon, nothing is wasted or without purpose: a collection of seven footballs and an assortment of weaponry all have a place in his studio and art practice.
On the occasion of his exhibition ’Old Food’ at Berlin’s Gropius Bau, Ed Atkins speaks about his creative process and walks the viewer through the art pieces in the show.
James Ostrer’s art analyses sexuality and the body in socio-political contexts. During his studio residency at Melior Place, he speaks about his exhibition ’Post Apoca-Lips.’
