Imran Qureshi: Blessings upon the Land of my Love

Imran Qureshi applies his training in miniature painting to this large-scale installation, made in response to the architecture. The painting process begins with a gestural, perhaps violent application of paint, the traces of which are quietly visible in their more contained and edited final form. The energetic floral forms emerge from pools and splashes of blood-like layers of paint. Occupying a space somewhere between life and death their quiet presence evidences their own transmutation from one state to another.